伯方雪日の罵詈淘奴日記

すべて見ているわけではないですが、僕の好きな監督ベスト5には入る方でした。
特に「竜馬暗殺」は学生時代から何度見たかわかりません。
「祭りの準備」「浪人街」「スリ」「美しい夏・キリシマ」……。
どこがどういい、というのは難しいですが、なにげないシーンでもすべてに骨太なテーマが貫かれていて、画面に緊張感が漲っていたのが素晴らしいのです。
残念です。合掌。

駐在お疲れ様でした。今度はどこにご赴任されますのでしょうか？？
とにかくご帰国されましても滬虎会宜しく御願い致します。
一度甲子園でご一緒出来ましたら幸甚で御座います。

まあしかし、桜庭もいろいろ行き詰っていたみたいだし、たしかにこの方がいいのかもね。

雑な思いでした。

「竜馬暗殺」は学生時代から何度見たかわかりません。

読者の思考を刺激する作品を読み通すことは、私の好きなことの 1 つです。 さらに、ここで私の考えを共有することを許可してくれてありがとう！

I’m a regular visitor of your blog and appreciate you taking the time to maintain the nice site. I will be a regular visitor for a really long time.

All of the information I’ve gleaned from it basically has been quite useful, and I’d for the most part want to generally commend you on really your abilities, actually contrary to popular belief.

Even though I haven't seen all his films, he’s one of my top five favorite directors, and "The Assassination of Ryoma" is a movie I've watched many times; his other works, like "Preparation for the Festival" and "Beautiful Summer in Kirishima," filled every scene with meaning and tension—it's a real loss; rest in peace.

It's sad news. He was one of my top five favorite directors, even though I haven't seen all of his works.

I've lost count of how many times I watched Ryuoma Assassination since my student days. Preparation for the Festival, Samurai Kids, Pickpocket, A Boy’s Summer in 1945 – Kirishima…

It's hard to put into words exactly what made his films great, but even in the most casual scenes, there was always a strong underlying theme, and every frame carried a sense of tension.

Kazuo Kuroki (黒木和雄) was a highly regarded Japanese film director known for his poetic and humanistic approach to storytelling. His career spanned several decades, transitioning from experimental and independent films in the 1960s to more introspective and historically reflective works in his later years.

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